Jody Gladding

Jody Gladding Poems

A pond will deepen toward the center like a plate
we traced its shallow rim my mother steering
my inner tube past the rushes where I looked
...

We'd like to talk with you about fear they said so
many people live in fear these days they drove up
all four of them in a small car nice boy they said
beautiful dogs they said so friendly the man ahead
...

not self

of violence

against will not be gainsaid
...

beside the grave
the ties gave

was she there
everywhere
...

5.

How is it I'm becoming particle
solid tool with a few odd uses
even as I'm honed to nothing
more than gesture—wave
...

Jody Gladding Biography

Born in York, Pennsylvania, poet and translator Jody Gladding earned a BA at Franklin & Marshall College and an MFA at Cornell University. Informed by ecopoetics and the ephemeral, location-based work of Cecilia Vicuña and Andy Goldsworthy, Gladding creates open, collaborative poems often engaged with translating, to a precise syntactical degree, the interactions between life and art, lingering in fields of close contact: areas marked by interruption, damage, or receptivity. Her debut collection Stone Crop (1993) was chosen by James Dickey for the Yale Series of Younger Poets. She is also the author of the poetry collections Rooms and Their Airs (2009) and Translations from Bark Beetle (2014), and her work is included in The Best American Poetry 1995 (edited by Richard Howard) and The Arcadia Project: North American Postmodern Pastoral (2012, edited by Joshua Corey and G.C. Waldrep). Her recent poems, reviews, interviews appear or are forthcoming in Orion, ecopoetics, Terrain.org, and Numero Cinq. “Gladding’s subject matter embraces both the natural and the cultural,” observes Lauren Rusk in a 2009 Poets’ Quarterly review of Rooms and Their Airs. Rusk adds, “Gladding’s pieces […] take various forms, such as minimal lines, couplets, and opened out spaces (all with deftly meaningful line breaks), as well as lyric paragraphs. The form of each poem seems to me natural to the process it enacts—the speaker’s mind, the poem’s body: one.” In a 2014 interview for Milkweed Editions, Gladding discussed her process and approach to the composition of her third collection of poems, Translations from Bark Beetle: “I’m very interested in how poetry exists in 3-dimensional space, in physical acts, in the world at large. For me, this has led to my poems increasingly moving across the page, then off the page (sometimes coming into being as/on objects). The shapes they take on the pages of this book are the traces of that movement.” Gladding has translated about 30 works from French, including The Serpent of Stars (2004) by Jean Giono, Small Lives (2008) by Pierre Michon and Elizabeth Deshays, and Hervé This’s Kitchen Mysteries: Revealing the Science of Cooking (2007). Her recent translations include Rimbaud the Son by Pierre Michon (Yale University Press, 2013) and Green: The History of a Color by Michel Pastoureau (Princeton University Press, 2014). Gladding's honors include a Whiting Writers’ Award, an Academy of American Poets Prize, a Centre National du Livre de France Translation grant and a French-American Foundation Translation Award. She has also been a Stegner Fellow at Stanford University, resident poet at The Frost Place, and a fellow at the MacDowell Colony. Gladding has taught at Cornell University and currently teaching in the MFA in Writing Program at Vermont College of Fine Art. She lives in East Calais, Vermont.)

The Best Poem Of Jody Gladding

Blue Willow

A pond will deepen toward the center like a plate
we traced its shallow rim my mother steering
my inner tube past the rushes where I looked
for Moses we said it was a trip around the world
in China we wove through curtains of willow
that tickled our necks let's do that again
and we'd double back idle there lifting
our heads to the green rain
swallows met over us later I dreamed
of flying with them we had all the time
in the world we had the world
how could those trees be weeping?

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